Fix is In

Script Tips

·         Article Title

·         Your Characters Crave Change

·         From One Page to the Next

·         Because Robert Towne Said So

·         Screenwriting Has a Timeline. Abide by It.

·         You Need to be Bold with Your First Ten Pages

·         The Story Behind Bad Dialogue

·         Making Sure Each Page Counts

·         Why Writing Checkpoints Matter

·         Remember to be Weird When You Write

·         How to Write a Coherent Character Sheet

·         Write for the Page, Not for the Direction

·         How to Write Every Day

·         First 10 Pages: 5 Major Rules

·         The Voice Over Value

·         Screenplay Evolution: Story or Character

·         Make Us See It: Writing With Personality

·         Exposition: A Little Crazy Goes A Long Way

·         Writing Never Takes a Day Off

·         Script Readings: Listen and Learn

·         Finding the Magic Within

·         Creating Heroes We Hope and Pray For

·         Word Choice Wisdom

·         How To Make Your Script a Page-Turner

·         Writing the "Not So Smart" Smart Film

·         Dialogue: Writing Dialects and Accents

·         Leave It Hanging... To Begin Again

·         Grammar: Your Ace In the Hole

·         Writing Believable Action

·         Networking: Hollywood Gold

·         'The Character Writes for You' Cliché

·         Story: The Whole Nine Yards

·         Fixing "The Problem" In Your Script

·         Writing: Goals vs. Objectives

·         Your Script Is Your Calling Card

·         Always Be Ready to Pitch

·         The Three I's of Screenwriting

·         Understanding the Midpoint Mirror

·         Ideas: Your Ace In the Hole

·         Safeguard Your Writing Time

·         Welcome to the Real World

·         Raise the Stakes: Crank It Up!

·         The Feedback Follow-Through

·         Character Flaws: Better Conflict

·         Navigating Obstacles: Plot Point Power

·         Conflict: Attack! Go for the Jugular!

·         Your Hero's Journey: Know the End!

·         Breaking "Free" Into Hollywood

·         Embrace the Hollywood Box

·         Biopics: Four Key Ingredients

·         Writing Partnerships: Feed the Fire

·         Your Protagonist: Three Keys

·         Creating Unforgettable Characters

·         Stuck in Your Screenplay

·         Success Through Failure

·         Writing From Within

·         Understanding Your Audience

·         Surviving Story Structure

·         Writing With a Full Plate

·         Screenwriting is a Decathalon

·         Screenwriting: Art vs. Trade

·         Outlining: How Much Is Too Much

·         Screenwriting: It's Complicated

·         Your Character's Imaginary Center

·         Creating Cinematic Characters

·         Your Screenplay is Not Your Baby

·         Multiple Stories in One Script

·         Story: How Much Is Too Much?

·         How to Be a Writer: Just Do It

·         The Screenwriter as Benign Dictator

·         Writing Out Of Your Realm

·         Nuts & Bolts: Screenplay Culminations

·         There's a Movie for Everybody

·         Rules Are Made to be Broken... Eventually

·         To Be or Not To Be... A Writer

·         Writing IS Looking Out the Window

·         Bad Writing Can Be a Good Teacher

·         Exercise: Elixir of Body and Mind

·         Men vs. Women: Communication Breakdowns

·         Script Inception: Story or Character

·         Grit: 10 Years for Overnight Success

·         The Hero's Idol: Sight vs. Insight

·         Simple Truth: Write What You Know

·         Love Hurts: But It's Worth Fighting For

·         Are You Not Entertained?

·         You Are What You Write

·         The Actor / Director Relationship

·         Don't Try To Get A Job – Make One!

·         Never Give Up! Don't Be Stupid

·         The Dark Side: Fighting The Shadow

·         Same Old Story, Small New World

·         Film School, What Now?

·         Film Mentors: The Obi-Wan Effect

·         The Bruckheimer Blueprint

·         Meetings: Surviving "The Room"

·         Pulp Fiction Killed Film School

·         The Art of Now: Living the Moment

·         Face Off: The Hero's Nemesis

·         Writing IS Thinking

·         Enlightenment: Going to the Movies

·         Center Stage:Directing for Actors

·         Planting And Payoff: Your Secret Weapon

·         Comedy: Funny Is What Funny Does

·         Character Roots: Armchair Psychology

·         Character: There's a lot in a Name

·         How to Write the Perfect Outline

·         Salvation: The Writer's Schedule

·         Happily Ever After: Yeah, Right!

·         Fight! Exposition Through Conflict

·         The Mechanics of Screenwriting

·         Voice-Over: Beware!

·         Script Polarity: Opposites Attract

·         Film is Visual: Show, Don't Tell!

·         Character Files: No One Is Safe

·         Writing the Smart Short Film

·         How to Pitch Your Movie

·         Know Your Audience or Die!

·         Character Arc: Growth vs. Change

·         Writer's Group: Your Script Family

·         Feedback: Ten or Twelve Pints

·         How Do I Become a Screenwriter?

·         Character: The Entire Iceberg

·         Script Theme: To Be or Not To Be

·         Scenes: Start Late, Get Out Early

·         Creating Characters: Use the Family

·         Screenwriting Files: Get Organized

·         Music as Muse: Mozart or Metallica

·         Screenwriting 101: It's Not Gonzo

·         Scene Objectives: Dynamic Duo

·         Subtext: The Underlying Truth

·         High Concept: King of the Jungle

·         The Secret To Screenwriting Success

·         How To Get An Agent

·         How Do I Sell My Script?

·         Film Genres: Meet The Expectations

·         Visual Scripts: Show! Don't Tell

·         So You Want To Be A Screenwriter?

·         How to Watch a Movie: Part 4

·         How to Watch a Movie: Part 3

·         How to Watch a Movie: Part 2

·         How to Watch a Movie: Part 1

·         How To Write A Logline

·         What's in a Title: Everything!

·         Action Films: King of the One-Liners

·         The Devil is in the Details

·         How NOT to write a screenplay

·         How to write a screenplay

·         Assign a Role: Don't Roll Over

·         The Sequence: ABC's and 123's

·         Be the Mole: Indirect Observation

·         Sequence 8: Final Resolution

·         "Begin This Way", says The End

·         You Wrote It, But Who Reads It?

·         Sequence 7: New Tension & Twist

·         The Hero's Objective: Three Keys

·         Sequences: A Writer's Best Friend

·         Sequence 6: Main Culmination

·         You're the Writer, Not the Director

·         Writer's Voice: Scent, Soul, Core

·         Sequence 5: Subplot Savior

·         Bones: Screenplay Skeletons

·         Rising Action: Act Two Woes

·         Script Logic: Probable vs Possible

·         Character + Want + Conflict = Story

·         Writing from your Unconscious

·         Sequence 4: The First Culmination

·         The Conversation: Script Discourse

·         Write Dialogue, Forget Real Talk

·         Sequence 3: Raising the Stakes

·         Your Fab Five: Plot Point Moments

·         More White Space, Faster Read

·         The Three C's - The Writer's Trinity

·         Sequence 2: The Lock In

·         Apply the Why: Your Story Epoxy

·         Reveal the Tip, Know the Iceberg

·         The Character Driven Story

·         Sequence 1: Get it Right or Bust

·         Exposition needs an Occupation

·         Wrong Form, Right Trash

·         Present Tense or Die!

·         Scriptonomics

·         Plot Points: Watch the Clock

·         Funeral and Bathroom Interludes

·         Writer's Block: The Big Fat Lie

·         Character: The Grocery Store Effect

·         The First Draft: NASCAR Speed

·         Writer's Letter: Your Secret W