Skip to main content

Remember to be Weird When You Write


Putting together a story from A to Z is a process that requires planning, time and consistent bursts of effort. Each one of those stages needs fuel. Fuel comes in strange forms, but the one we should all embrace as writers (and readers) is weirdness. It's inside of us and it morphs every day. So, how can we exorcise this daily weirdness and funnel it into efforts that will produce the results we want?
1. Voice Recorders and Notebooks
You have heard it before and we will say it again (and probably again at some point). Having one of these around you at all times not only allows you to record your immediate weird thoughts, but it subconsciously encourages you to have them. 90% of these thoughts won't amount to anything more than some wasted page space or memory, but that other 10% is worth every bit of effort. 
2. The Daily Writing Perspective
This is a much larger scale philosophy (compared to a specific tactic), but one that can help your daily production of pages. Make sure to adjust your lens each day so that it fits your story. Each person you encounter, each event that passes, allow these daily occurences to give you content for your story. Again, much of it won't amount to much, but some of it might. Remember, experiencing something helps the letters on the page resonate more with the audience. 

From <https://thescriptlab.com/screenwriting/script-tips/3195-remember-to-be-weird-when-you-write/

Comments

Popular posts from this blog

Breaking up Your Story into Beats

  What scenes or story beats do you need to tell this story? You’ll add what you need to the basic framework you already have in your premises. Let’s work from the Jackie Chan Adventures premises we have so you can see how it’s done.   Basic structure of Jackie Chan Adventures: “Queen of the Shadowkhan”  Premise: •Jade, as one of the main characters, is the star of this episode. Her character fl aw is her need for peer acceptance/respect. This fl aw motivates a whole chain of problems for everyone around her. •We go to the end to see what, if anything, she learned. She learns not to succumb to peer pressure, and she realizes that indeed she did not succumb to Shendu’s pressure. (Theme: Respect earned from someone you admire is better than respect from all others!) •Jade’s initial goal is to be cool (have a tattoo) and gain respect. That snowballs as she begins to abuse the respect she gets from the ninjas. •Shendu is the villain who uses Jade in an attempt to destroy Ja...

Three Acts

  “Leaves of three, let them be.” A helpful little phrase when it comes to avoiding poison oak in the woods, but when it comes to your  screenplay , three absolutely is company. This is the core of screenwriting.  Three Act Structure is your framework and the almighty epoxy of  the screenplay . These three parts, often literally taking place in different worlds – physically and/or figuratively – can work independently of each other, yet when connected, they build a solid whole. 

Q&A – Lawrence Gilliard Jr. (Bob Stookey)

  Actor Lawrence Gilliard Jr., who plays Bob Stookey on AMC’s  The Walking Dead,  talks about his apocalypse-ready clarinet skills and how his character from  The Wire would react to zombies. Q: You’ve been in a lot of crime-centric shows. Were you excited to do something different on The Walking Dead ? A: Yeah absolutely. You get to play and have more fun and be more creative when you’re doing a show like this. Killing zombies — that’s what you do as a kid! Now I get to do it as a grownup. I definitely looked forward to the change and I’m having fun. Q: Your character is a medic. Do you have any skills that would be useful in the apocalypse? A: I play clarinet. I also play the drums, so I could keep the spirits lively and entertain everyone. That’s all I could do. Q: Bob is a pretty good shot. Did you do any weapons training for the role? A: None so far. When I was young, I learned to shoot, so I don’t really need any training for that. Q: You’ve...