Skip to main content

http://www.criterion.com/explore/152-anthony-bourdain-s-top-10

Top 10s

Anthony Bourdain’s Top 10

Anthony Bourdain’s Top 10

American chef and art-film epicure Anthony Bourdain is chef at large at New York’s Brasserie les Halles; the author of ten books, including Kitchen Confidential and No Reservations; and the host of the Travel Channel’s Anthony Bourdain: No Reservations. Photo courtesy of the Travel Channel.
  • This is a superb and uncompromising adaptation of George V. Higgins’s bleak masterpiece of low-level criminality—and possibly Robert Mitchum’s finest performance.
  • Eyes Without a Face

    2.
    Eyes Without a Face

    Georges Franju

    Georges Franju’s eerie, face-transplant melodrama has stuck in my memory since the first time I saw it as a freaked-out kid on late-night TV.
  • The Battle of Algiers

    3.
    The Battle of Algiers

    Gillo Pontecorvo

    The film that politicized me overnight. It’s riveting, multidimensional agitprop with a compelling documentary feel—still relevant and still the best of its kind.
  • Chungking Express

    4.
    Chungking Express

    Wong Kar-wai

    I could watch the work of Wong Kar-wai (and the brilliant cinematographer Christopher Doyle) all day long. I don’t have to understand what’s going on . . . I don’t care. Beautiful people, photographed beautifully. His films are the best, most romantic out there.
  • Kiss Me Deadly

    5.
    Kiss Me Deadly

    Robert Aldrich

    Easily the ugliest, greasiest, darkest, and most influential noir of its day. Love it.
  • Merry Christmas Mr. Lawrence

    6.
    Merry Christmas Mr. Lawrence

    Nagisa Oshima

    Nagisa Oshima will probably be remembered best for his groundbreaking and beautiful hardcore film In the Realm of the Senses, but this is a wonderful one. Breathtakingly shot, with a fantastic, memorable score, and great performances by David Bowie, Tom Conti, and “Beat” Takeshi Kitano.
  • Withnail and I

    7.
    Withnail and I

    Bruce Robinson

    One of the funniest goddamn films ever made—with an amazing performance by the brilliant Richard E. Grant.
  • Army of Shadows

    8.
    Army of Shadows

    Jean-Pierre Melville

    A hard, unflinching look at what it was like to resist during wartime France. Personally, I prefer Bob le flambeur, but any Melville is good Melville. And this is very, very good.
  • House of Games

    9.
    House of Games

    David Mamet

    Mamet’s best film. Joe Mantegna’s best film. A suspense film about the big con. With a tight, delightfully convoluted script, great dialogue—and Ricky Jay!
  • Sullivan’s Travels

    10.
    Sullivan’s Travels

    Preston Sturges

    It’s simply one of the best films ever made—and it perfectly conveys everything you need to know about film. The scene of the convicts watching cartoons is a timeless, classic, and life-enriching moment.

Comments

Popular posts from this blog

Breaking up Your Story into Beats

  What scenes or story beats do you need to tell this story? You’ll add what you need to the basic framework you already have in your premises. Let’s work from the Jackie Chan Adventures premises we have so you can see how it’s done.   Basic structure of Jackie Chan Adventures: “Queen of the Shadowkhan”  Premise: •Jade, as one of the main characters, is the star of this episode. Her character fl aw is her need for peer acceptance/respect. This fl aw motivates a whole chain of problems for everyone around her. •We go to the end to see what, if anything, she learned. She learns not to succumb to peer pressure, and she realizes that indeed she did not succumb to Shendu’s pressure. (Theme: Respect earned from someone you admire is better than respect from all others!) •Jade’s initial goal is to be cool (have a tattoo) and gain respect. That snowballs as she begins to abuse the respect she gets from the ninjas. •Shendu is the villain who uses Jade in an attempt to destroy Ja...

Three Acts

  “Leaves of three, let them be.” A helpful little phrase when it comes to avoiding poison oak in the woods, but when it comes to your  screenplay , three absolutely is company. This is the core of screenwriting.  Three Act Structure is your framework and the almighty epoxy of  the screenplay . These three parts, often literally taking place in different worlds – physically and/or figuratively – can work independently of each other, yet when connected, they build a solid whole. 

Q&A – Lawrence Gilliard Jr. (Bob Stookey)

  Actor Lawrence Gilliard Jr., who plays Bob Stookey on AMC’s  The Walking Dead,  talks about his apocalypse-ready clarinet skills and how his character from  The Wire would react to zombies. Q: You’ve been in a lot of crime-centric shows. Were you excited to do something different on The Walking Dead ? A: Yeah absolutely. You get to play and have more fun and be more creative when you’re doing a show like this. Killing zombies — that’s what you do as a kid! Now I get to do it as a grownup. I definitely looked forward to the change and I’m having fun. Q: Your character is a medic. Do you have any skills that would be useful in the apocalypse? A: I play clarinet. I also play the drums, so I could keep the spirits lively and entertain everyone. That’s all I could do. Q: Bob is a pretty good shot. Did you do any weapons training for the role? A: None so far. When I was young, I learned to shoot, so I don’t really need any training for that. Q: You’ve...